I’m Going To Need A Planner

I haven’t written anything since August. Partly because I haven’t really had any blogging ideas and partly because when I have tried to write something timely, I’ve received error messages making me unable to complete or publish a post. I’m hoping that I can actually write and publish what I want to today. I’m using my work computer to draft this which, while not ideal, might help me pin down the origin of the error message (it seems like it might be my computer).

Find the perfect 2021 planner on Amazon

Since I last updated, novel writing went super well . . . until it didn’t. I think the culprit was stress related to the U.S. election. Whatever the cause, by the end of fall my writing felt distracted and the amount I managed to pen during my writing hours seemed like a drip from a faucet that had previously been on full flow. I carried on, holding out my creative cup to catch the paltry sustenance. And I’m glad I did because I needed to be ready for when the water was turned back on.


I can say it feels like a dam of pent up creative ideas has burst. And I’m going to ride this wave because my career depends on it. Remember how my last post was on prioritizing your core life goals? Well, I’ve felt quite the shift in my goals. Maybe it’s a realization that the publishing industry wants to publish people who are more than just writers, so I need something substantial beyond writing books and blog posts. But, really, I think it’s the zeal I get from interacting with other writers online, be they denizens of the Authortube sphere or fellow Lit Fic authors in my Facebook group. The social isolation has likely shaped this realization. Though a similar realization was likely to arise even without the pandemic-imposed isolation.

There are various projects in the works. I don’t want to dump all of them here at once, so I’ll be drippling them out over the next several weeks. What I want to address is how this post and my last post aren’t contradictory even though I’m adding enough stuff to my plate that I’m going to need an hourly planner.

Actual planner I bought for the 2021 calendar year.
Click the picture to buy one for yourself!

My life goal is to be a writer. But I need to be a writer in 2020’s, not the 1980’s or even 90’s. The field has changed, the reality is that the markers of success have evolved. Traditional publishing isn’t everything. And while I’ve already dipped my toes into the various aspects of the defining feature of today’s world (THE INTERNET), I haven’t committed to it in a way that has done anything more than brought me some limited exposure. I want to build something. Something for writers and readers. Something that I can call a central part of my career.

I’m sort of in love with my ideas. Infatuated with the work I’ve set before myself. It aligns with my core life goals because those goals have shifted . . . just a little bit. I no longer feel like I’m in survival mode, but I feel like I’ve shifted to a “Let’s get thriving” mode. And what I’m setting up to create is something I can take with me anywhere, even if other large and life-changing events should come along. In fact, being that what I’m building will be a core part of my career, it might make any changes or unexpected additions to my life easier. I’ll have a sustainable core that is a part of my writing and the writing community even when changes in life’s circumstances inevitably happen. And that’s just awesome.

Do tell me how you’ve been surviving, thriving, and what your plans for 2021 look like.

Until next time, write on.

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All photos from Pixabay unless otherwise stated. 

Prioritizing Your Core Life Goals


As I’ve gone through my writing life, I’ve changed my process again and again. I don’t think any one process has ever been perfect. And that’s okay. The creative process should evolve, molding both to the project and adjusting to the constant changes in one’s own life.

I’ve written in coffee shops. I’ve composed stories at the breakfast bar in a trailer house, my roommate mixing me large glasses of Red Bull and Jägermeister, as I scribbled stories out onto blank paper. There was a time I even wrote while livestreaming on Twitch.

Sometimes my creative decisions were driven by the Muse, the bursting forth of prose in an endless flow that couldn’t stop for days and weeks at a time. But most of my decisions were for the sake of motivation and accountability. Writing in a coffee shop made me feel accountable because I was there, in a single place away from distractions. The environment of home with its chores and potential entertainments was not available, so I could focus on my work. Writing while live online helped me finally finish my book (click here to watch the moment I finished the zero draft of my novel).

But my process had to evolve. The coffee shop regulars – awesome people though they are – became a distraction as they chatted with me often enough that I found it hard to get into the flow. Twitch was instrumental in boosting me through the final sections of my novel (I was only making progress on short fiction at the time). But even minutes before I finished with my zero draft, my beard got insulted by troll in the chat 🧔. Twitch was endless distraction, sure, but at the time I needed accountability – eyes on me watching me write – more than I needed to be left alone.

I’m done with coffee shops and I’m done livestreaming. At least for now. And, to be honest, probably forever. One of the best things I’ve done in my life is to quit worrying about the side projects and to deep-focus on the core of what I want to be doing and who I want to be. The answer to the what and who of such self-introspection will be different for everybody, but for me, I want to be a novelist who knows about literature.

This isn’t to say that someday I won’t return to creating AuthorTube videos or can’t foresee myself delving into other creative or educational projects. I will if I feel I’ve mastered the essential things first. I value expertise. Always have. But I’ve never prioritized the pursuit of expertise until now.

I think that most of us do find it easier to check our email, boot up a video game, binge a bit of our favorite TV show, check the notifications on all of our social media accounts. I get it. The easier thing is always going to give us immediate satisfaction. Though it’s a short lived satisfaction, for sure.

At least you can spot those kind of distractions. But the easier things don’t always look like rest and relaxation. They sometimes look like work. Uou have to ask yourself, is what you’re doing really leading you toward your goal? Do the things you spend your time on align with what you most value, with the vision of your core life goals? You might argue that having a successful blog or YouTube channel is going to help you sell books when you finally write them. That may be true, but if it’s a book writer you want to be, are you spending 6 hours a day at the writing desk and 2 editing your videos? Are you spending an hour maintaining your author platforms and 4 at the writing desk? Or is it the other way around? Is the mastery you’re acquiring actually in line with your goals or is it a distraction? Is the way you spend your time an inverse of what you truly want?

Only you can answer that question.

I’ve had the rudiments of this blog post in my head for a while now, but I only got around to typing it today because I just finished the second chapter of my slice of life novel, freeing up some time for this. Yes, my devotion to my goals is extreme enough that I’ll even put off writing a little blog post in order to prioritize the core of my goals, making sure that they get done daily. That they get done first.

I know that my life is “blessed” in many ways. Though my job leaves me poor, it usually allows me 4 days a week that I can devote to writing. My handicap with technology – my inherent Ludditism – has actually made a life free of distractions easier. For around a decade I didn’t watch TV. For even longer than that I lacked any kind of video game console. After high school I never played a computer game. To this day, I do not own a so-called smartphone.

Yet, even with these advantages (advantages for me and my particular goals at least), putting one’s time toward the hard work of gaining mastery is not easy. Not at first, at least. Even for me, there’s so much that can please immediately, it’s rather a wonder that I ever managed to complete 3 books, 1 of which was published.

My process will evolve again as my life changes, as opportunities open and close, as my creative needs change. But right now, I have a great schedule that works for me. I found I love to-do lists but don’t do well when I try to micromanage by the hour. I’m not saying this schedule is what you should do; rather, I’m sharing it so that you can see how I prioritize writing and literature, which are the things important to me.

After breakfast: write my slice of life novel until lunch
After lunch: revise my brick of a novel (usually until 2 or 3 o’clock)
After writing: study literature (currently studying the history of literature)
After studying: do chores
After chores: play (most often I like to dive into my antique dictionary collection, find and catalog obsolete and archaic words I think are interesting; I believe play – something relaxing and fun for you – is important after working hard)
After supper: exercise (in the summer, this means a walk)
After exercise: read

As you can see, this schedule prioritizes writing first. Right now I have the new novel I’m writing and the draft manuscript of a novel I’m editing, so it’s easy to split these projects with a lunch break, giving me 4 or more hours of new writing and 2 to 3 hours of revision time. This is perfect because I find I can always sustain attention on fresh writing much longer than on editing and revision work.

My schedule prioritizes literary studies second. This is important to me and something I’ve wanted to know in more detail for a long time. So it’s the second major thing I do in my day after writing. If there’s one thing I’m unhappy with in my schedule, it’s that reading comes last. But I’ll be honest, I often get satisfied after a while of fun with my dictionaries and still have time to read before supper. Reading is like playing for me; some people might claim it’s my default mode. And of course there are occasional social calls and nights when reading is cut short to watch a movie or show with my wife. Yet after days, weeks, and months of a schedule prioritizing my core life goals, pursing them will be an established habit, a routine of success.

I am by no means a successful novelist right now. I am not an expert on literature or even what I’d consider knowledgeable. What I am though is one who gets that I’m not going to form a good habit, let alone succeed in my core life goals, if I prioritize my notifications or choose to continually says, “I’ll watch just one more YouTube video.” And, in fact, I’m just starting to understand that I won’t probably reach my life goals if I say “I’m going to do this other thing one or two days a week” or decide “I’ll spend just a few hours a day on this” instead of the core thing I desire, the actual books I want to write, the real knowledge I want to have. I will write all the hours I can first. I will study for as long as I can. Everything else comes after that. Nothing comes instead of these primary, essential, core goals.

So, what are your core life goals? What have you been prioritizing? Have they been the same things?

All photos from Pixabay unless otherwise stated. 

Twitch it up this NaNoWriMo

Twitch it up this NaNoWriMo

Hey, bookworms, authors, and NaNoWriMo participants!

 

Whether or not you’ll actually be doing NaNoWriMo this month, sometimes having a writing partner is nice. Because of scheduling conflicts, lack of a local writing community, medical issues, or many other reasons, it’s not always possible to find those real life writing partners. One of the alternatives is an online writing community.

 

I’m a huge fan of the YouTube author community (AKA AuthorTube). However, live writing sessions are spotty at best, even if there’s tons of quality entertainment, advice, and inspirational videos for writers. That’s why for many of my mornings these past months, I’ve been chatting live with writers on Twitch. The Twitch writing community is smaller (much smaller), but it’s been giving me something I’ve been wanting: writing partners.

Twitch VS YouTube

I’ve been enjoying it so much, that I spent this week learning how to livestream with Twitch. I took a lot of time before this to think about the Twitch writing community and ponder what I could bring to it. There are streamers who work with their chat to write a story together, streamers who put their screen up so viewers can see exactly what they’re working on, and others (my favorite kind) who chat and do writing sprints.

 

The one major concern I’ve had as I’ve joined in on livestreams is the same exact concern I have every time I’ve decided to boot up the computer while writing: distraction. But I found that the Twitch writing community is, by and large, motivating. Writers actually writing, authors discussing the writing process, book lovers talking about books, and people forming friendships and connections during livestreams have all helped grease my writing gears.

What’s been distracting is the noise.

 

By noise, I mean that when I’m really ready to get into it, I have to silence the screen (or at least turn the volume down really low because it’s not nice to mute a Twitch streamer since you won’t count as a viewer on that platform if you mute the stream, and view count is important for streamers). Noise is obviously not a problem for most people who are looking for writing livestreams. But for some (like me) I’m sure it is. I want the community and the company while I write. But I could do without the music many streamers play in the background, plus the auditory chatting from the streamer can become distracting.

While a chatty streamer works for a lot of writers, it doesn’t work for this author. Thus, why I put that volume scroll way down, almost at mute, after a while. But this got me thinking that maybe what I can give to the Twitch writing community is a silent writing stream.

white mute button

So I introduce to you, my Twitch channel. It’s not all silent. Just the middle hours are. There’s author talk time both before and after the writing session.

I’m super excited to see all the NaNoWriMo writers looking for a live (and streamable) writing community while they work on their books. And if you’re not a part of NaNo, that’s great too. I’m not participating myself this year; instead I’ll be finishing up the last sections of my novel-in-progress. So all writers are invited. I stream early mornings to early afternoons. The goal is to be online by 8am, Central Standard Time most Tuesdays through Fridays.

Let me know if you can make it to the stream and comment below with what you’re working on this November. Write on!

Randal Eldon Greene Twitch Stream

All images/media in this post protected under fair use. 

Dreaming Your Characters

Dreaming Your Characters

It finally happened. I’ve heard of it from other writers, but I’d never had the experience myself before now.

I dreamed my characters.

Not only that, but I was writing them. It was an odd, but thrilling experience.

dreaming woman

When we dream, our brain does this thing we call sleep spindles. As tuck.com describes them: “sleep spindles are sudden bursts of oscillatory brain activity . . . that occur during stage 2 of light sleep. These brainwaves are called sleep spindles because of how they look when printed out on an EEG reading.”

Scientists have linked these sleep spindles to areas of the brain that have been used during the day. So if you do a task for a prolonged period of the day like sewing, teaching a class, shooting hoops, mindless factory work, or writing then your brain “practices” this activity at night in your sleep, giving you sleep spindles in the exact same area of the brain.

Those who sleep talk are oftentimes acting out their sleep spindles. My wife, for example, is a frequent sleep-talker. She is almost always teaching, admonishing kids to quit goofing around, or gabbing with other educators in her sleep.

I imagine that since I’ve been writing even more each day than last year, that my brain has been spending ample time exercising my writing muscles while I sleep.

Dream Catcher

Here’s the thing about sleep spindles and your sleep talking dreams: you shouldn’t be able to remember them. It’s only your rapid eye movement (REM sleep) that you remember. These are typically the more exciting dreams where you’re trying to find something, accomplish a task, get somewhere, are maybe flying, or (if it’s a nightmare) trying to get away from something. In fact, when we talk about dreams and dreaming, we’re almost always talking about REM sleep.

So, while I’ve been brain spindling it up with an increase of 2 to 3 more hours a day at the writing desk this year, it’s still surprising to see my characters come to life in my dreams. While it’s most likely that I was in REM sleep, just the manner of my dream makes me wonder if I hadn’t somehow managed to remember a sleep spindle dream. If I did, then my writing sleep spindles look pretty cool.

sleep spindles

I won’t give every detail, but here’s the gist of the dream: I was dreaming about two of my characters—the two which are the principle characters of the current chapter I’m writing.

Jazzy and Miles were at a white wrought-iron table in an outdoor cafe, and Jazzy was being offered alcohol. I wasn’t in the dream, but I could hear myself narrating what was happening in exactly the same manner that I hear myself think when I write. The scene had to do with whether Jazzy would accept the alcoholic drink or not due to her Christian beliefs which don’t forbid alcohol but do frown on it in practice.

Then my dream switched to a scene with Maha and a more minor character. It’s a parallel scenario with Maha at a wooden table in at a bar and restaurant in the heart of Delhi. In this scene, Maha is having the same issue, except her Islamic beliefs don’t allow her to drink alcohol at all. I again hear my voice narrating the scene and the actions. Like with Jazzy, I can see my character fully, both from a distance and up close. Her face is troubled because she’s in a delicate situation of appearing rude if she doesn’t accept the drink but will be sinning if she does.

Then, suddenly, a line comes to mind that has to do with Miles back at the previous scene. The dream jumps over to Jazzy and Miles who are sitting at the same outdoor table. This one beautiful line flows out of me so intensely that I see it being written in my handwriting at the bottom of the scene below their table. I don’t see my hand, I just see the words appearing in my unique chicken scratch. After this, the dream goes immediately back to Maha’s dilemma, and I wake up right before I’m about to narrate what she decides to do.

Note: neither of these exact scenes appear in my book, but the characters I envisioned do exist in my mind. What was so cool was that they appeared exactly as I picture them. In fact, they seemed even more vivid and lifelike in my dream than they do when I’m writing their story. They looked much more human. The sweat on their brows, the pores on their faces were all clear when the dream was examining them closely.

It was a crazy positive experience that tells me I’m doing something right. And that thing is writing. If I’m writing enough in the day that I spend time writing in my sleep, this means I’m really giving myself over to the thing that I want to do with my life, which is bring a book into existence through words in my mind being transferred onto a page.

Let me know if you’ve ever dreamed about your characters in the comments below.

book and brain

Notes:
All photos except the sleep spindle graph are from Pixabay. The graph is from Goodnights.rest
I also want to make it clear that sleep spindles appear to do more than help us learn. We’re actually still learning about them. Sleep has always fascinated me, and I think sleep spindles and the unconscious processes of learning are some of the most amazing aspects of unconsciousness—even more interesting than REM sleep. What I’ve written above is what I remember about sleep spindles. So do your own research to see what’s new and what other studies might have to say in agreement or opposition to sleep spindle learning.

2018 Challenge Halfway Point

2019 Challenge Halfway Point

I gave myself a challenge for 2018, and I’m at the halfway point. I challenged myself to start a series on Medium and to post to that series once a week. What I primarily write is fiction, so I decided to have my series follow me as I wrote a dialogue-only short story collection.

Idea Flash

The idea germinated from two unpublished flash-length manuscripts I had in my computer’s story folder. Both were a single, long paragraph. The first was totally in dialogue, with the speakers differentiated through the use of dialect and italics. This story was “Expire,” and I always knew it’d be the first piece in some future collection; I just didn’t know what that collection would be. It’s the first of my dialogues for many reasons. Primarily though, it’s because the content and form of the story both explore the complications of communication through storytelling. Meaning is difficult to convey, especially when you’re working with literary fiction where there may be multiple meanings or the form can be odd, experimental, and artfully crafted.

The second story was a monologue originally designed as a page-length long sentence. I pulled it up, proofread, changed some things within the extant text, added a second speaker to comment on the focus of the long sentence, and — voila! — I had another dialogue.

And so with these two as my base, I challenged myself to write a collection of creative conversations — dialogues all. A challenge not only because of the tight weekly schedule, but also because of the constraints of the form. Dialogues are more or less constrained by an inability to indicate inner-thoughts, background information, motivation, or describe characters and setting (at least I can’t do any of these things without verbalizing them, which isn’t always possible or desirable in this form). While constraining, much like a choosing a poetic form to constrain one’s writing, restricting myself has also been freeing; I haven’t been able to choose from the infinite options normally available to a writer of fiction. Having infinite choices eliminated is in its own way liberating. While I can be experimental and push boundaries to a degree, I still know one thing: it’s all got to be dialogue.

writer silhouette

So, having stuck with the terms of the challenge I set (only dialogue and at least once a week), now that I’m halfway through, I want to reflect on what I’ve done thus far. Specifically, 1) How have I done? 2) What would I do differently? 3) How will I proceed? 4) Will I do it again?

 

How have I done?

I started the series by posting an introduction the first week of January. Every week after that I’ve dutifully put out a dialogue. So I’ve succeeded in that respect. But I haven’t succeeded in every respect.

One of the reasons I gave myself this challenge (outside of forcing myself to complete fiction writing projects quickly) was to build my fan base by putting writing life out there, letting people see the writing journey as it happens. While I’ve gotten a few more blog followers just from being more active on WordPress where I’ve also posted weekly about the latest dialogue, my Medium stats indicate that I haven’t really increased my readership for my fiction — and it’s my fiction reader fan base I am attempting to grow. I’ve done something not quite right. My readership remains dismally low. So low, in fact, that I count it as nonexistent.

Dialogue series stats

 

What would I do different?

The first thing I would have done differently is to have chosen a platform for my updates other than the Medium series platform. There are myriad issueswith the series platform, including accessibility problems and an issue with subscribers actually getting notifications when a series is updated. I also figured out that series have even worse read ratios and interactions from readers than your typical self-posted article. It’s really only publications who opt to use Medium as their parent platform that give most writers any real chance of visibility (two of my dialogues were sent and accepted into Medium publications, The Creative Cafe and Lit Up).

So even without accessibility issues and a broken notification system for series, I may not have found it any easier to build a fan base or increase readership had I simply been self-posting updates or even stories as regular Medium articles. As it is, my stats indicate that I am — though not intentionally — writing these series updates solely for myself. No one else views them. I’ve added to my oeuvre and kept to the strictures of my challenge, but the public journey hasn’t brought in new readers like I thought it would.

While there are no guarantees that another platform would have gotten me more readers, I think the series platform simply doesn’t work for writers trying to build their platform around it, though those with an existent platform could arguably succeed with it. Writing for publishers on Medium seems like the best approach if you’re going to do Medium. Could I choose again, I’m not sure what I would go with (Medium articles, Wattpad, solely my blog, etc.) but it certainly would not be the Medium series platform.

door choices.jpg

How will I proceed?

I am failing to gain readers even as I weekly come closer to completing a short story collection, so why continue to write updates at all if I don’t have anyone to read what I’ve written?

As Rosie Leizrowice, one of my favorite bloggers, wrote: “If you love the process, you react the same way to failure as you do to success.”

I am successfully writing; I am failing to reach readers. I don’t care. I love the process. So I will carry on doing exactly what I am doing. More or less.

Vision Planning Strategy Process GOAL puzzle

The one thing I’ll do differently does not change my process, but is itself another process. Since no one is really taking this writers journey with me, I am going to seriously start seeking publication in zines, magazines, journals, and literary reviews where allowed.

While the series itself is just acting as a kind of one-stop place for me to easily view my challenge updates, the process stays intact. The process has allowed me to create at an accelerated rate, far surpassing my normal leisurely speed of writing where I tend to setting aside what I’ve written, only to come back, edit more, and set aside again, practically ad infinitum. And since I’m not reaching readers with the challenge itself, maybe I can reach readers and publishers at the same time.

 

Will I do it again?

Not exactly. While I love the process, I also need to learn from the process, whether that process led to success or failure or (as in this case) a mix of both. What I’ve learned is that imposing deadlines on myself is a fantastic motivator to work more quickly and cleanly. I think knowing this will help me when I turn my attention to planned future collections of stories and essays. I might even be able to apply the most positive parts of this process to future novels.

What I won’t do again is give myself extra work without more assurance that it will pay off in some tangible way. While meeting obligations when under the scrutiny of the public eye is a powerful motivator, I’ve found that without the public eye or an expectant readership I’m still finding success in sticking to the deadlines of my challenge. Deadlines that — I came to realize a while ago — are really for myself.

I’ve also realized that the information-addicted internet culture doesn’t really need me to add my personal writing challenge to the digital cacophony. If I want my words read, I’d do better to stick to the traditional routes of finding readers through the types of publishers whose subscribers have the temperament and attention my words deserve.

So I will be cultivating a process — a process that includes setting deadlines to complete a story, a chapter, or to have a work ready to send to a potential publisher. And you can be sure that once this challenge is done, I won’t be writing another book of dialogues. But the stories and the words, oh yes, they will keep coming.

dialogues

All photos from Pixabay, free for commercial use & no attribution required. 

Interview with Sarah Werner

Interview with Sarah Werner

I am happy to have my first live interview with author and podcaster, Sarah Werner. It was a ton of fun. We met up at this ultramodern internet marketing company Sarah worked at (she’s since joined the ranks of creatives who work at their art full time) and sat down in front of a microphone to record. We chatted, pausing at one point for what sounded like some stellar high heels making their way across the floor above us. I had recently been reading a lot of author biographies and misremembered at what age Joseph Conrad began to write (he was a late writer, not an early writer). But that’s okay, Sarah left it in there because authors—even studious ones—aren’t perfect. We talked about the struggles of being a professional writer, what it takes to conjure the muse, and writer’s block. And when I left, I left with some stellar swag. Thanks, Sarah!

Check it out here: Coffee Break 050: Randal Greene

You can also play the podcast in iTunes here.

Sarah Werner Write Now PodcastAbout the interviewer: Sarah Werner is the brains and voice behind Write Now, a podcast for aspiring writers. Coffee Break is a sister podcast, part of the larger Write Now family, all about conversations of creativity (especially the writerly kind). Sarah is also a fiction writer, public speaker, ghostwriter, and an article contributor for Forbes.

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Interview with Jeff Leisawitz

callout20
Author, award-winning musician/producer, internationally distributed filmmaker, college professor, photographer, public speaker, and private consultant Jeff Leisawitz has a unique Q&A with me up on his Not F*ing Around 7 Questions of Creativity web series.

 

Check it out here: Randal Eldon Greene — Author

JeffL.jpegAbout the interviewer: Jeff Leisawitz is the author of  Not F*ing Around—The No Bullsh*t Guide for Getting Your Creative Dreams Off the Ground.
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Interview with Lynda Dickson

callout19

Supporter of indie authors and head honcho at Books Direct, Lynda Dickson, hosted an interview and excerpt from Descriptions of Heaven.

Check it out here: Interview and Excerpt

lyndadicksonAbout the interviewer: Lynda Dickson runs Books Direct, a website where readers can find out about great new books and giveaways, and where authors can promote their books.

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