AuthorTube

 

AuthorTube

 

Hey Word Journeyers! I’ve been wanting to test the waters of the writing community on YouTube for some time now (AKA AuthorTube). However, between moving and livestreaming on Twitch while focusing on completing my novel, I just didn’t get around to it until today.

Well, I actually recorded the video yesterday. To be honest, I had some fancy video editing software and it was totally glitchy and broken. It wouldn’t load most of my recordings and those it did load wouldn’t preview my edits. Then suddenly we were shopping for a house, and I just put it off and put it off some more.

Yesterday (because my streaming software updated and wouldn’t work afterward, giving me some free time) I gave the fancy editing software one more try, even using newer recording equipment. Still no dice. So I downloaded the simpliest free video editing software I could find, and it worked. I can’t do anything terribly fancy, but I don’t need fancy for these videos, especially as a new member of the AuthorTube community.

Click here to watch Randal’s YouTube video:
Zero Draft Done

This first video for AuthorTube is on finishing the zero draft of my novel. I had uploaded an unboxing video when Descriptions of Heaven was released, and have since been a fairly active community member, commenting on a lot of my favorite videos.

The kinds of things I might make videos on include:

  • Writing updates
  • Publication announcements
  • Talking about the writing process
  • AuthorTube tags
  • Livestreams

I just want to thank everyone who does go out of their way to watch the video. And I double my thanks to anyone who likes and subscribes. I really appreciate it. I’m branching out beyond writing and getting my stories published because these kinds of things spark my creativity, not to mention it makes this isolated activity just a bit less lonely.

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WIP Wednesday #6: Zero draft DONE

Work in Progress

Ever watch an author finish writing his book?

Watch Literally writing the last pages of my novel. from RandalEldonGreene on www.twitch.tv

If you clicked my video above, now you have. 

Finishing the book took me a bit longer than I expected. Buying a new house, moving in mid-October, setting up the office, and learning how to begin “professional” livestreaming all took time away from actual writing. But actually write I did, and the book was finished yesterday.

writing with pen

My novel technically began in early 2007, as an idea. It had a lengthy seven-year gestation period before the first words of the book were born. I actually started writing it around September of 2014. So it’s been five years in the making, around twelve years total from concept to paper-draft completion. In time since writing began I got a girlfriend, moved into a rental house, got married, wrote a short story collection, became a first time home buyer, had something like 24 short creative pieces published, and saw my first novel printed by a small press.

decluttering desk

The plan today is to begin typing up my zero draft. First, I’m going to tidy up the chaotic mess that is my desk. I think there is such a thing as creative chaos, and the tendency towards this in my writing space seems to affirm it as a fact. But periodic cleaning is a good thing for focus. And a good time for decluttering is the start of a new chapter. This certainly counts as one for me.

I’m still making small adjustments to my process. This includes how and when I livestream my writing to how and when I work on what. For example, I’ve been putting off my dialogues for a long while now. The novel was imperative. And, truly, it still is. But I need to finish editing my collection of creative conversations sooner than later. What I think I will do is set aside certain hours of a specific day to focus on that and other short fiction projects.
webcam
Livestreaming itself has been an interesting experience. I feel like maybe I should move the livestream to YouTube where there is an existent community of authors and writers. I may attempt a trial of  this in the near future. I’d also like to try making some videos for AuthorTube and see how that goes.

As for livestreaming on Twitch, I’ve found that most Twitch people aren’t there to write, even if they want to hang on my stream. For this reason, my most popular streams have been ones where I’m chatting. Chatting while writing is, naturally, distracting. So I’m adjusting my schedule to make sure I consistently do silent writing streams and also give myself more hours of “private” writing sessions (you know, just regular writing, not in front of a camera). So some of my streams are going to be starting later to make sure my writing isn’t overly interrupted by social sessions. In other words, writing comes first; the stream is there to build community by encourage others and myself to keep at it.
whiksey
I’m also encouraging donations with a Whiskey Wednesday stream, where I’ll be imbibing a drink or two during the writing session. There’s a nicely placed whiskey fund tip jar for those willing to subscribe or donate to the cause of writing drunk and editing sober.

How long will this novel take to edit? That is simply something I cannot be sure of at this juncture. Hopefully less than a year. During the writing of this book, I’ve learned not only a lot about how I write, but how my body desires to write and desires to not write. I don’t experience writer’s block, but I do experience distraction, excuses, the easy pleasures the TV screen and of a book (“just one more chapter” becoming an all-morning read). So in the next phase of this novel, I’ll probably be learning a lot about how I edit something this lengthy. Certainly, I have ample experience editing short fiction, and even my first short novel, but this manuscript is sure to both test and teach me.

It’s a test and a learning experience I’m looking forward to.

firstdraft

Reflections on a decade-long journey to getting a flash fiction story published.

A revised and updated version of this post was published in The Ascent. Please read it there (especially if you are a paying member of Medium) because I get paid a little when my piece is read and clapped for. Thank you. 

Raw Art Review Publishes "Expire"

Read Expire for free in Raw Art Review’s Spring 2019 Collection or buy a hard copy on the publisher’s website.

This story took a long time to place. I don’t think it took so long because it was poorly written. In fact, I’ve had some compliments on it over the years. The editor at 34thParallel (one of the first magazines I ever submitted to) had this to say about it:

Dear R.E.
Let me say I’m impressed by your story; dialect in any form is difficult–damn difficult–for a whole lot of reasons of which I’m sure you’re aware. So I’ll repeat, I’m impressed–damn impressed (if you’ll excuse my language).

Only this April, the editor over at Barren Magazine had this to say about the two dialogue flash fiction stories I had submitted for consideration:

Thank you for sending “Expire” and “Attributes of a Girl” for our review. I really loved the experimentation but (especially “Expire“) we literally couldn’t tell what was happening. I know these responses are annoying but hope it helps a little!

Tahoma Literary Review also found the piece hard to understand. While they apparently made their way through the dialect, they ultimately decided that it didn’t work:

[I]n “Expire,” I found myself working really hard to parse the patois/dialect.

In other words, the form/gimmick outstripped the narrative.

I don’t blame any of these publications for rejecting Expire. It is a short piece and it is purposefully difficult. In fact, that’s the whole point. The form/gimmick is another layer of the theme. In fact, the way the story is presented makes the reading experience mirror the central issue of the story.

If you do figure out what is going on then you realize that the story is about how difficult it is to get a point across when trying to tell a story. The piece is constructed in a way to make it difficult to read. While the narrative revolves around a guy who doesn’t understand a specific word in a story being told about the Titanic, the form of the story itself challenges you, the reader, to understand the story on the page. Expire is printed as a block of text, using only dialogue without any dialogue tags, and one of the speakers in the story uses a black American vernacular. It’s not easy to read.

Expire is hard, and it’s meant to be hard. So I’m not surprised that I’ve received both positive feedback and criticism. Yes, I’m a little surprised it took me a whole decade with at least 33 submission attempts to get Expire published, but published it is at long last by Raw Art Review.

One of the differences with Raw Art Review is their commitment to trying to get a work. And that’s why I think they published this story where others didn’t. Bullet ten of their current submissions guidelines says this:

“Editors assume you are smarter than we are. We will strive to understand your intention ; stay open-minded and try to avoid imposing our presumptions on your work.”

Trace Sheridan, the editor with 34thParallel who was “damn impressed” with the use of dialect in the story, asked to see some more pieces alongside it. She ended up publishing the story Bad Weather instead of Expire. I don’t know exactly why she or her team didn’t publish it, although I think they would have had I had more stories like it—dialogical and dialectical—since she asked to see some more pieces while also asking, “Is this part of a larger set/collection of pieces?” And, at the time, no, it wasn’t a part of anything larger than itself.

Expire did eventually inspire me to spend a year writing dialogues. It was a good year. And I came out of that year with a good collection. Truly, I owe a whole book to Expire that I wouldn’t have otherwise written. Expire not only set the tone and implicit theme of the entire collection, but as a story that took a decade to get published, it reminds me that storytelling is a difficult art, even when you accomplish perfectly what you intended to do, like I did with Expire. It is one of my best pieces. And like many great pieces of storytelling, it says something that not everyone can hear and not everyone will like, but it says what it has to say boldly from the first word to the last little piece of punctuation.

Rusting Sunken Ship

 

 

How To Piss On Your Therapist

How to Piss On Your Therapist

 

Public House Magazine has republished a story of mine, this time it’s available to read online for free. The original story appeared as Pissing Therapy in their print magazine, themed and designed as a tabloid. The reprint is now titled How To Piss On Your Therapist, cataloged online under their “How To” section.

Click here to read the story.

Art by Agni Dasein, Austria. Via Saatchiart

Art by Agni Dasein, Austria. Via Saatchiart

 

Defenestration (weird humor)

Defenestration (weird humor)

Another one of my dialogues is out this month. @ChefNipsNips has appeared in the humor magazine Defenestration. It’s free to read online. This piece is a throwback to my earlier days of bizarro fiction + some saucy satire of YouTube baking shows. Check it out if you want a laugh while you learn how to make murumples!

@ChefNipsNips

Flash Fiction Addiction

Flash Fiction Addiction

I’m pleased to announce to that my short story in dialogue, A Lover’s Dwelling, has been published in Flash Fiction Addiction: 101 Short Short Stories. It’s available as an ebook and in paperback. If you love flash fiction, this collection from Zombie Pirate Publishing is going to be one you’ll want to add to your shelves.

Find it on Amazon in

Paperback or Kindle

Flash Fiction Addiction cover

13 Days of Dark Lore

13 Days of Dark Lore

Thanks to Midnight Mosaic for publishing my dialog-only story Demon Zone for their 13 Days of Dark Lore contest. I’m so happy to see one of my darkest and experimental writings find a home online. Midnight Mosaic publishes on Medium, so click this link to go give it a read.

Three DemonsAlchetron © 2019

Some of you might remember this story when I listed it as complete for my 2018 weekly writing challenge. It’s one of my dialogue-only stories, though it’s less of a conversation than a cramped room where three voices are vying for authority. Whether you think this is a story or poem in dialogue, I hope you find it an enjoyable, albeit disturbing, read.

New Publication – “Therapy” in Public House Magazine

Public House Magazine "Therapy" by Randal Eldon Greene

 

Thanks so much to Public House Magazine for publishing “Therapy” in Issue number 9 of their amazingly transgressive print publication. This is a super special issue because the magazine turns into a full 2019 calendar. Yep, read it, fill in the crossword puzzles, and then hang it up as useful wall art.

“Therapy” is a piece of fiction from my dialogue-only collection, Dialogues: A Collection of Creative Conversations. Public House has published it under the title “Pissing Therapy.”

It’s pretty cheap, so order yourself a copy if you dare!
Public House Magazine - Issue #9

The Serial Killer Epidemic: Interview Transcripts

The Serial Killer Epidemic: Interview Transcripts

The Serial Killer Epidemic: Interview Transcripts is my FINAL DIALOGUE for the series. This means that I’ve written my whole short story collection! Yesterday’s post was actually my 52nd dialogue . . . I just didn’t realize my count was off. So this 53rd dialogue is the last piece I’m adding to my 2018 writing challenge. Now that doesn’t mean as I’m finalizing my short story collection that I won’t write another dialogue or two (or dredge up some old piece of writing and convert it into a dialogue). I do have dialogue ideas I just never got around to writing.

Out of all the stories I’ve written over the years, The Serial Killer Epidemic: Interview Transcripts is one of my favorites. Like Expire and The Defining Attribute of a Girl, I actually wrote this piece years and years ago. In fact, I wrote this story even before marijuana was legalized anywhere in America. I guess I felt it coming, since legalized marijuana features so prominently, though my fictional trajectory toward legalization is rather different than it is historically happening.

America Marijuana flag

It surprises me really that this story hasn’t been picked up anywhere yet. Maybe it’s too sci-fi for most literary publishers? Possibly it’s too experimentally literary for most hard sci-fi publishers? Or maybe it has a flaw that 25 drafts hasn’t smoothed out (if there is a flaw, I’m not seeing it)? But I’ll keep sending it out because I really want this dialogue, this short story to appear in print somewhere. And I’m pretty much set on only publishing it in a paying market, which is likely the real reason it hasn’t yet found a home, since places that actually pay writers for the work they do are extremely competitive.

Serial Killer child
image credit: © Ostill www.fotosearch.com

 

The Serial Killer Epidemic: Interview Transcripts is a story in Q&A format. The interviewer, is trying to get to the bottom of a wave of child serial killers. Drugs to video games are blamed. But the truth may be more complex and conspiratorial or—worse—simple and endemic to the nature of modern society. This is just an interview; you’ll have to decide for yourself is the answer lies in between or outside these questions and answers.


FINAL THOUGHTS: I just want to thank everybody who has given so much as one like to any of my posts about this 2018 writing challenge. I’ll be working hard to polish up my 52+ dialogues so I can get some more of them published here and also have a book ready to send out to publishers or agents at the end of 2019.

This isn’t the last you’ll hear of my dialogues, but it is the last official post of my writing challenge. So thank you again for reading, liking, subscribing, and commenting. It’s been an awesome writing journey.

Dialogue_Series_Headline