WIP Wednesday #1: 90K in and Counting

Work in progress

INTRO TO WIP WEDNESDAYS

I’m starting a new blogging segment I’m calling WIP Wednesday. This is WIP Wednesday #1. I don’t plan to post every single Wednesday but occasionally will be writing about my latest work-in-progress on Wednesdays.

This year I’ve been posting weekly about my dialogue challenge, and I’ve found setting a blogging goal related to my creative writing is a great motivator. This isn’t that exactly. Unless I’m doing a weekly post, an occasional update on my next WIP isn’t going to really motive me not to procrastinate if for some reason I am procrastinating. Instead, I hope this new segment will be more topical in nature, letting people know some aspect of what I’m working on as opposed to what I used to do pre-dialogue days, which was only really post when a story of mine was published somewhere.

Since I’ve already been posting like crazy about the dialogues, expect my WIP Wednesday posts to be mostly focused on the novel. Though there will probably be WIP posts about the dialogues once they are ready to be compiled into a short story collection, but I wouldn’t expect any such posts in the near future.

Reedsy Wordcount
Image Source from reedsy’s great article on word counts.

 

WORD COUNT

For my first WIP Wednesday,  the focus is going to be on word count.

I just did a recount of the latest drafts of all the chapters in my novel-in-progress, and I’ve got 89,191 words typed up. Now I write everything by hand and only a small portion of the chapter I’m working on is actually typed up. Using a conservative estimate, I’m without a doubt over 90 thousand words.

When I began writing I feared that my book would be too short to count as a novel. I worried I didn’t have enough to say—enough words—to tell a novel-length story. After all, I write lots of flash fiction and my debut book was a novella of less than 40 thousand words (at least after my editor got through with it).

cutting a book down to size

 

The goal for my current WIP was at least 80 thousand words. I tried to focus on just writing—not word count—and repeated the mantra, A story will be as long as it needs to be, whenever anxiety about my novel’s length cropped up. Truth be told, I failed to brush away my worries and instead have been keeping track of my chapter’s lengths. Here’s the current breakdown:

Prologue: 623 words
Chapter 1: 17,082 word
Chapter 2: 10,943 words
Chapter 3: 8,359 words
Chapter 4: 6,404 words
Chapter 5: 10,034 words
Chapter 6: 5,389 words
Chapter 7: 4,647 words typed (This is the chapter I’m currently writing.)
Chapter 8: 25,710 words

Now that I know I’ve reached the magical 80 thousand, I feel relief because I have certainty that this work is long enough and, with more to write, will stay long enough even after editing. I believe I have something like four more full chapters left to write, including the one I’m currently writing. So I can calculate the average of my completed chapters (not the prologue or chapter 7) at 11,989 words. At only 4 more chapters, that’s 47,956 words left to write if I hit that average. Add this predicted total chapter length of the next 4 chapters to my completed chapters and we’ve got a 132,500 word book.

I have no way of knowing right now if I’m going to be spot on, way short, or a lot longer than this guess. At the lowest, my chapters should be 5 thousand words. I’ve read in places that 5K is a good word count for chapters in most books for adults. As you can see, my chapters are all above 5 thousand words. I think 5K is a good chapter length myself, but that’s not how this book decided to structure itself. It’s perfectly possible that I could end up with four 20 thousand word chapters to finish off my book or, much less likely, end the book with four 5 thousand word chapters.

Isn’t over 100K words too long for a novel?

According to this reedsy article, my book is likely to be a little on the long side for literary fiction. 80 to 100 thousand is the sweet spot. And while the sweet spot is a good place to be because it’s more likely to be accepted by agents and publishing houses, it’s also shorter than I hoped my novel would be. You see, while I fretted about reaching that magical 80K, I felt my book needed to be bigger. It might be best to remember that the sweet spot exists for a reason, but it’s also good to remember the mantra, A story will be as long as it needs to beAnd I always felt this story needed to be longer than the minimum.  Ideally, I really wanted it to be at least 120 thousand words.

Why break the “rules” of novel-length, especially when it’s your first novel?

That’s a great question? The simple answer is the same as my mantra. But it might also have to do with genre; though to be honest, I really don’t know. To me, my book is literary fiction. But a friend of mine said the book I’ve described to him is a systems novel, a genre of both literary and speculative novels.

I don’t know if he’s correct or not, but one trait that some systems novels have is bulk. Word counts in lit fic systems novels are often way larger than my guesstimate of 130K. So if my friend is right, then maybe the word count this thing is bound to be is closer to correct for its genre (though the mantra takes precedence IMO over any other correctness criteria). My friend is smart, so he’s probably right. But whatever the genre, I feel like the more words for this particular book, the better. You can look up articles on systems novels and, after the book out, decide for yourselves if it’s one, and while you’re at it, you’ll probably make a decision on how you feel about the long chapters in my book.

endless book

TL;DR Announcing a new blogging segment: WIP Wednesday. I’ll be posting these occasionally. My current WIP, a novel, is at 90K words and could get past 130K words. This is long, but it might be the right word count for the book’s genre, a literary systems novel, if it’s even its actual genre. In the end, A story will be as long as it needs to be.


Share a little about your WIP in the comments and don’t forget to drop a link to your website so we can follow you.

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The Melania Dialogues

The Melania Dialogues

I really don't care, do you Melania Jacket

This week’s dialogue is actually dialogues, with an -s. That’s because this week’s dialogue is comprised of several different back and forth conversations, all of them starting with the phrase “I don’t care, do U?” Yes, a parody Melania Trump is a speaker in all of these dialogues.

I’ll be sure to type this one up soon, that way I can try and land a publisher for all you hungry, hungry bookworms out there who are just ready to take a big old bite of The Melania Dialogues. To help satiate you until then, here’s the first couple lines from dialogue 1:

—I don’t care, do U?

—I don’t know, Melania, seven jelly donuts for breakfast seems a bit much.


As I write and publish my stories, sometimes I get the feeling that some of them just go together. Outside of the dialogues, I actually have three other short story collections coming together. I don’t talk about them  very much  because they aren’t something I’m actively working on on purpose. When I write a piece of fiction, it either feels like goes with one of these future short story collections or it doesn’t.

Basically, anything odd and fantastical goes into one collection. Anything I write within a certain spectrum of tones that also takes place in SD, NE or IA gets placed in another collection. Then there’s the last collection—my newest collection idea. This one is harder to define for me. There’s pieces that definitely don’t go into it. There’s not a theme or a style that really defines it, but certain stories feel to me like they feel fine next to each other in a folder, so I’m sure they’ll feel fine being bound together in a book someday. I still have a computer folder with lots of pieces that still haven’t found a home together, but that’s okay. Someday they might get some mates written for them.


Last week wasn’t the best week for novel writing. I was super sidetracked by short fiction. I guess I just don’t want these shorter ideas to go unwritten. My wife though said something to urge me to get back on track. She said, “I love, love reading short stories . . . from authors I know already because I love their novels.” Well-said, wifey-poo. Well-said. My productive procrastination ends tomorrow!

is this my novel-in-progress

Demon Zone

Demon Zone.jpg

Three DemonsSource

This week (today, actually) I’ve written a Halloween dialogue: Demon Zone.

Mark the doors with the sigils of the moon, of the red red river, of the biting chains. Empty dawn of its fire. Let dusk sink eternally into crepuscular paralyzation—hypnagogic, terrifying.

Thus begins the shouting match of the demons. Blood, horrible sights, and terrifying beings culminate in a conversation of violence where any talk of beauty or peace is muted.
cannibalism

Yeah, I’ll be sending this piece out pronto. Though it might end up getting published as a poem. I say this because for a dialogue it’s awful unconversational. I just couldn’t imagine a bunch of demons who sit around and shoot the shit (well, actually I can imagine that; it’s just not how I was inspired to write this particular dialogue). “Demon Zone” does resemble a prose poem. It’s perhaps more prose than a dialogue like “Insults Two by Two,” but it’s certainly poem-like enough to get published as one. Which is fine. A poetic dialogue. A dialogical poem. Tomato, tomato.


I have enough dialogues (and drafts and drafts of dialogues) that next week I’m breaking out a file box for it all. I don’t need the old drafts, really, as everything is saved in digital form. But I like to keep these as backups and for posterity or whatever.

The only other file box I have like this is full of Descriptions of Heaven stuff. Lots and lots of DoH stuff. Seriously, every draft was like a whole little book. I can’t imagine what my WIP, a novel, will fill. Two? Three file boxes? Yikes! I better invest should I ever see any on sale.

File Box


Notable life news: As some of you know, for a while my best friend, Mike, lived with my wife and I. We had a huge combined library and liked to chat about books, physics, and life. Well, we still like to chat, but nowadays we do a lot of that chatting here at the hotel (where I typically do my blog posts). He lives at the hotel now where both he and I work. It’s pretty awesome. For me anyway. Mike doesn’t seem to mind it much either.

One of the reasons he moved in with us was so we could work on a video project together. The project is Mike’s baby. I wrote for it, completing two scripts. While I never expected the same level of output (I write constantly; he writes sparingly), when no scripts were forthcoming from him, the project was pretty much red lighted.

Well, after revisiting the idea and steering our thoughts in a new direction (one which he and I both feel is a better direction) we may be starting the project again. Maybe. We’ll see. I do feel confident enough to actually write about it here because Mike is working on a script. I am in a state of squee about this, since I really think this collaboration could be fun and educational for both of us.

For me, this is a yellow light. I want to see Mike actually complete something for this project before I dive back in. Luckily, I was able to repurpose one of my scripts for a creative nonfiction piece (edited and sent out to potential publishers last week). If Mike manages to stay focused on our project, then come the new year when this dialogue challenge is done, I’ll green light my script writing again.

Scentless Dreams

Scentless Dreams

I’ve been waking up at 3a.m. all week long. It’s horrible because inevitably I end up falling asleep at some point for at least an hour-long nap. I’d rather not nap and just write straight through till lunch. I again woke up at 3 in the morning today, but I work my two 16-hour shifts today and tomorrow, so no napping for me. Maybe this will let me reset my circadian rhythm.

Last week was also my days at the gas station. That is not a way I want to spend my evenings. There’s nothing fulfilling for me in that line of work. If there were opportunities for meaningful personal growth there, I sure couldn’t find them. Yes, I could work my way up in management, but is that truly fulfilling? For me, not so much not at all.

I have now exactly what I want: time to write.
I’m not desiring much else. Perhaps just the elimination of the stressors of student debt. That’s my next goal, but I’m not working another job to reach it. I’ve only got one life, and I’m not wasting it slaving for money. I don’t mind making money, but I’d rather make it doing something that challenges me in a way which makes me grow as a person.


Listed as the story of this week for my weekly writing challenge is Scentless Dreams, a story concerning a talking dog who asks a group of kids to share their fish.

child and talking dog

 

 

About the author:

About the Author

May I have my fiction with a side of meta?  🙂

Today’s post is both to announce the title of this week’s dialogue for my weekly dialogue-only writing challenge and also to make an announcement.

First the dialogue. . . . The dialogue-only story for today is a bit of a meta piece wherein two characters are discussing the author: me.
I hope it’s clear from the artwork exactly where this story is going. Truth be told, this is the only piece I’m worried about getting into the book. It feels to me like it might be an even more problematic piece than Insults Two by Two. It’s not so much the content for About the author: but how I want to use the story in the book, which is something I also feel is terribly obvious.

Well, despite my worries, I’m still putting this one down as my next dialogue. It may be meta, but it’s a fictional story through and through.

kill the writer

Now, a little bit about me, the author.

As some of you may know, I have been writing full time for a about three years now. I work weekends at a hotel. Every Saturday and every Sunday I come into work at 3am and leave at 11pm. That’s sixteen hours a day, back to back. In other words, I’m putting in a thirty-two full time job hours in two days.

This doesn’t cover my bills. I’ve been okay for 2.5 years, but with my wife’s student loans recently coming due, an unexpected increase in monthly repayment for both of our loans, and the loss of rent from two roommates, it’s become tough. So instead of wasting my time building a platform for Patreon, I went and got a job.

I will admit, I did see this coming. I actually started working a sales position with an online company but didn’t make any sales in two months. I liked it since I set my own hours and worked from home. I liked that it was incoming calls. I liked everything, except for the fact that nobody wanted to buy what I was selling, even if it would help their own businesses. Beings I only got paid on commission, that job got kicked to the curb early last month.

After applying all over the place and having to turn down positions that would require weekends (and not pay enough to make up the difference of losing my hotel income) I have landed a job at a travel center. You know, one of those gas stations that serve as a home away from home for truck drivers.

Truck drivers are a huge part of my life. Father, grandfather. Great grandfathers. A huge portion of the hotel’s clientele. So, yeah, this will be my job four days of the week. It won’t necessarily cut into my writing time, which I tend to do in the morning. But it will cut into my family life (my social life is pretty insubstantial). I don’t really like my family time being cut into (don’t like it at all in fact), but I can use that to my advantage.

What advantage? Well, for one, the constraints of a second job will certainly eliminate the illusion of boundless amounts of time. I believe a second job will force me to set a ridged schedule. Right now my writing schedule looks like this: WAKE UP —> EAT—> READ —> WRITE UNLESS IT’S TOO NICE OUTSIDE, THEN JUST KEEP READING OUTSIDE —> LUNCH —> SHOWER —> HANG WITH THE WIFE, etc.

As you can see, my writing schedule has recently been more like a loose suggestion than a rigorous routine. I function better as a routine guy. I used to go to a cafe and write daily. Then I became poor and my routine was gradually broken.

Now that I won’t have the luxury of five full days of unstructured time, I’ll have to treat my writing more like a job. Or a passion. Because, hell, it is my passion. I can blame my love of books, stress, the online sales position, or sunny weather on not putting my writing first, but really when it comes down to it, the reason is me. I know I need structure and scheduling. I am more productive with it than without it. That’s why I went to the coffee shop even though there were far more distractions there than at my house—the coffee shop gave me a routine.

writing routine cartoon

In the end, even though I’ll be losing time doing the things I love for the cash I need, I know that this will actually make my writing output increase quite a bit. I’ll admit that I’m going to miss all the relaxation, romance, and routine I’ve built around evenings with my wife. The truth is, we don’t know if we’ll be able to emotionally handle it once the school year starts since she teaches from 7am to 3pm and I’ll be working 3pm to 11pm. She already loses me all weekend to my job at the hotel. But we do need the money, and this will help me cement a daily writing routine. Yeah, I’m being a glass half-full kind of guy. But I think working six days a week will motivate me to write better and write more so I don’t have to hold a day job. Though I’d rather hold a job and write than not need a job but be pen and paperless. If anything, I think this summer of too much free time has taught me to stick with a schedule—a rigid one, even if it’s totally artificial.


Thanks for reading, bookworms. Leave a like or comment and let me know if you have a writing routine.

 

 

 

Digesting Disillusionment

digesting disillusionment

I bought a cool backpack on my summer vacation at the end of last month. It really came in handy for hauling around water bottles and any little things my wife and I happened to purchase.

Hemp backpack

Today I brought it to work for the first time because my best friend wanted to borrow my copy of Against the Day since his is in one of a dozen tubs of books in a storage unit temporarily. Of course, I obliged.

Normally I bring a canvas messenger bag to work. In it I store my planner and usually a folder or two. It’s fairly thin, though I can easily squeeze in one, sometimes two novels. But if you’ve ever seen Against the Day, you’ll realize that it’s a thick book, at not quite half a million words (about a Descriptions of Heaven’s worth shy of the half million actually). So, I thought this was a great time to use my new backpack. And while it made carrying Against the Day much easier, I totally forgot to transfer the folder I keep my latest handwritten dialogue in over to it from my messenger bag.

The reason I’m telling you this? Well, I didn’t get a chance to type up the dialogue I wrote. In other words, I wrote it, stored it, and haven’t thought about it since early in the week. And now that I’m at work from 7am to 11pm on the last possible day to announce the completion of my next dialogue, I have to admit I’m only guessing at the title. I think it’s Digesting Disillusionment. Although I might be a little off. So, just to clarify, it’s the working title. So if it changes or is published by somewhere under a slightly altered name, you know why.

So, with that said, leave your comments, questions, and stories about your own writing mishaps below.

disillusioned bride

In this dialogue, a woman drunkenly snapchats her friends while wearing the wedding dress from the wedding that never happened. A friend goes to visit, but the ex-bride-to-be won’t open the door.

Personal Update

Callout31

When I accepted the opportunity to have Descriptions of Heaven published by Harvard Square Editions (rejecting two other small press publishers who wanted the rights to print the manuscript) I set aside a new novel I was working on at the time. I set it aside so I could devote my full attention to, at first, editing my debut and, later, marketing my book.

After Descriptions of Heaven came out, I wrote the first drafts to half a dozen short stories or so. As I like to say, all these story ideas were backed up, blocking the creative pipeline. That pipeline is a little clearer now, and I’ve begun work on my novel-in-progress again.

I’ve been working on the novel in the new library. The old library was one of the small bedrooms and did have the advantage of a small balcony where one could enjoy a book and a view. However, long-term plans finally reached fruition when my best friend, Mike Convery, moved in. I believe he owns more books than I do. So, Libby and I moved out of our large bedroom and into a smaller room, which had until then functioned as an office. I rather like our new space. It’s cozy and, for some reason, I sleep much better there (my love of tight spaces perhaps?). There’s an entrance to an attic bedroom too from the new library. Since Libs and I gave the room over to a communal space, it opened that bedroom up for her sister to move into last month, just in time for Abby to begin her first year of college classes here in Sioux City.

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My writing desk is now located in the library since there’s now no dedicated office space. I must say I don’t mind writing while surrounded by all our books (sans those piled in our respective bedrooms, plus a sole bookcase—built by my great grandfather—that sits in the living room, filled with matching hardcover classics).

As some of you know, I spent most of my summer writing at the Blue Cafe. I will admit, between sorting and shelving books, vacationing with an artist friend in Virginia, and a belated honeymoon with my wife, I did not make it much to the cafe during the months of July and August.
Sept7writingdeskAnd, as you can see, my desk is lined with post-it notes. They’re organized and essential to have for reference while writing my novel. I simply cannot take all the notes with me to the cafe. If I wrote my first draft on a computer rather than by hand (the pile of paper on the left is the hand-written manuscript) I could use the sticky notes function. However, there’s another reason that I must write here at the desk: the cafe is open only three hours during the day. Yes, I spent most of my summer writing short stories during a measly three hours. With so little time actually writing, I found myself editing at home, reading on the porch, and going on frequent walks and picnics with my new wife—all time spent well in my opinion.

But now it’s crunch time. I’m back to writing from morning until early afternoon, usually six hours (including a short lunch). The first thing I am doing is reading through what I’ve written. I have about seven chapters typed up. I’m now reading through those chapters, doing light editing as I go. At the time of composing this blog, I’m in the middle of chapter 4.

Ah, but what about those short stories? Will they be seeing themselves in print soon?
To answer that question, I’ll say that I still plan to go to the Blue Cafe once a week. You’ll find me there on Thursdays (the only weekday Mike works, which leaves me a little too lonely—I work best in a “studio setting” with the presence of others nearby). At the cafe I intend to work on my short fiction and other non-novel writing, submitting it and editing it, maybe even writing new stories should the impulse to compose be strong enough.

Some days I will also spend time on other writing-related work. But not every day. As much as I like the fantasy of a hermetic life of writing, my reality is that I have a lot more in my life to fill up my time. I write, yes, but I also do most of the household cooking, take on the major cleaning projects, keep the houseplants alive, and am essential to shopping excursions. I am a bit of a den mother—even the new members of the household have that figured out already.

I’d rather my plate be emptied of some of these duties (essentially the cleaning, as I do love cooking), that way I’d have more time for reading and studying. But, really, I don’t have any concrete complaints. My new roommates have picked up some of the chores. My cooking is now appreciated by more than just Libby and myself. I’ve found I have plenty of time for great conversations with Mike that only supplement my enjoyment of art and books. Somewhere along the line about an hour a day has opened up for me to begin studying Latin again—which is a joy for me because I’m not a natural when it comes to languages, and I love the mental challenge.

So things are going well. They’re going great. I have more time than ever to work, learn, and play. My house is full of people I love. My blind dog has more sets of hands to pet her than ever before. And my next novel is well under way.
Spet7Selfie

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(How To) Quit Your Job & Write

Callout1

I am starting this blog nearly a year to the day I quit my day job to write full time. This post isn’t actually so much a step-by-step “how-to”; rather, this post is about under what circumstances this may be an intelligent move and I filter this through details about my own decision-making process. I assume that a lot of my readers here have themselves contemplated this move away from the daily grind in order to pursue a novelist’s career. And, if this isn’t you, it will give you a little background about me and about the risks we writers face in order to chase our dreams.

 5895385878_5c3f77913b

Should you quit your job to write?

No. Don’t do it: quitting your job is a stupid idea. You’ve got car payments, a mortgage, kids to feed, student loans to pay, a family who—until now—was fairly assured about your sanity.

Yes. Do it ASAP: quitting your job is a wonderful idea. It’s work that’s stupid. All it does is get in the way of you and your Great American Novel. Without a job, you’ll have time to write your masterpiece.

I’m not a huge fan of relativism, but when trying to decide if quitting your job to pursue the career of prosateur or poet is a smart move, you’re going to need to look closely at your own life and situation before putting in your two weeks. That being said, I really feel work is stupid if it’s unfulfilling. An artist is better off making art full time than being jailed in an office cubicle, wasting talent mopping factory floors, or faking smiles to fulfill the expectations of the craptastic customer service industry.

So, I can’t tell you to quit your job or even if it’s a good idea for you in your own particular situation to quit your job. I can only tell you about my own experience in quitting my job.

Let’s start out with this plain and honest fact: I’m not unemployed. You see, I hope to someday make money at writing, but I’m one of these novelists (to paraphrase Flaubert) who can spend an entire morning putting a comma in and then spend an afternoon taking it out. At this pace, I simply can’t make a living as a writer doing articles for magazines or wing out enough short fiction for the New Yorker and other paying venues to keep my debts at bay. That’s why, when I decided to quit my day job, I first sought out another job to replace it. This new job, though, had to have this one important difference: it would allow me time to write, either at work or more time to write outside of work. I ended up getting lucky because I found a job that gave me both.

How do you know it’s time to quit flipping burgers and time to pick up a pen? That’s a tough one. For me, I needed more than one reason to make writing my fulltime vocation. When I quit, I had over three years of tenure. It was a fairly good job, paying well for the area. I ranked highly and was liked by my co-workers. But, the company forced me to transfer to a new position—it turned out to be a position I just didn’t like. Now, I already didn’t actually like my job, but it was bearable (most days). This transfer though involved a lot of technical knowledge of a major video game platform, which was not a good fit for me.

Was this enough to quit my job and pursue writing? No. It might have been enough to find a comparable job, one not involved in any way with tech support or knowledge of the latest first-person shooter, but with equally awesome benefits. What tipped the scales from workaday life to writer’s life was this: the start of a new novel.

Let me set the scene: when I first moved back to Nebraska after many years in South Dakota—most of them spent as a university student—I began working on book. I set out to start writing a short story, but it went past the normal limits of the genre and it grew to be a novella (the longest thing I’d ever written at that point). My first drafts of this book, Descriptions of Heaven, were written between 2012 and 2013. After this, I worked on short stories and further revisions of my novella. Then, in 2014, I began working on a really cool novel, which (had I finished it) would have been a kind of cousin to Derrida’s Glas, except it would have been fiction and quite possibly still a readable document. It’s painful to admit this but. . .this cousin to Glas was a ‘malformed neonate’ and its health was failing as fast as I was writing it. In despair one day, I picked up a blank piece of paper and started writing the first lines of what is now my novel-in-progress. This was gutsy, if only because these lines were the start of a book that had been gestating inside my brain for over seven years. I didn’t know I was ready to write it until I saw that I had actually penned out the first few lines. After the first page was written down on paper, I knew that I had to devote myself as wholly as possible to this book.

The first thing I did was math (an unnatural act for me, which is why I rechecked my work several times) and decided that I could afford to quit if I could get x-amount of pay at another job and if this other job allowed me to devote x-amount of hours to writing every week. And, as I mentioned above, this meant working less hours or a job where writing at work was possible. I’m not going to credit myself with any brilliance in picking out my new, writer-friendly vocation; I got the idea from my best friend, Mike Convery, who had worked at a hotel one summer and normally spent most of his working day deep in a book. Luckily, in the Sioux City area, the majority of hotels and inns are located all in the same general vicinity. I went out on a Thursday night right after work to pick up applications, turned them in on Friday, and had a job at the one closest to my home by Saturday.

Did I vacillate? Yes.
Did my long-time employer beg me to stay? Yes.  🙂
Did I stay? No.
Why? Because, my new job offered me a schedule I couldn’t resist. I work only two days a week. I grant, they’re sixteen-hour shifts, but that’s not bad considering the payoff, which is tons of time to pursue writing. And, really, it’s often slow enough at the front desk for me to be able write, read, watch cartoons. . .or even blog (now that I’m a blogger).

writerguy

So, do I—in general—recommend quitting your job to become a writer? Yes, but do it smartly; you might already have the perfect balance between day job and writing desk (you might just need some time management skills to utilize that balance). Or, maybe the workaday life is holding you back. For me, it was a mix of the muse, a poor fit with a new position, and the presentation of a perfect opportunity that led me to make writing the main focus of my working life.

How about you? Would love to hear your stories, thoughts, and concerns about quitting your job to write the next Great American Novel. Comment below.