Twitch it up this NaNoWriMo

Twitch it up this NaNoWriMo

Hey, bookworms, authors, and NaNoWriMo participants!

anime Girl sleeping with book over water (relaxing)

Whether or not you’ll actually be doing NaNoWriMo this month, sometimes having a writing partner is nice. Because of scheduling conflicts, lack of a local writing community, medical issues, or many other reasons, it’s not always possible to find those real life writing partners. One of the alternatives is an online writing community.

We have technology

I’m a huge fan of the YouTube author community (AKA AuthorTube). However, live writing sessions are spotty at best, even if there’s tons of quality entertainment, advice, and inspirational videos for writers. That’s why for many of my mornings these past months, I’ve been chatting live with writers on Twitch. The Twitch writing community is smaller (much smaller), but it’s been giving me something I’ve been wanting: writing partners.

Twitch VS YouTube

I’ve been enjoying it so much, that I spent this week learning how to livestream with Twitch. I took a lot of time before this to think about the Twitch writing community and ponder what I could bring to it. There are streamers who work with their chat to write a story together, streamers who put their screen up so viewers can see exactly what they’re working on, and others (my favorite kind) who chat and do writing sprints.

Writing Sprint

The one major concern I’ve had as I’ve joined in on livestreams is the same exact concern I have every time I’ve decided to boot up the computer while writing: distraction. But I found that the Twitch writing community is, by and large, motivating. Writers actually writing, authors discussing the writing process, book lovers talking about books, and people forming friendships and connections during livestreams have all helped grease my writing gears.

What’s been distracting is the noise.

Noise Noise Noise

By noise, I mean that when I’m really ready to get into it, I have to silence the screen (or at least turn the volume down really low because it’s not nice to mute a Twitch streamer since you won’t count as a viewer on that platform if you mute the stream, and view count is important for streamers). Noise is obviously not a problem for most people who are looking for writing livestreams. But for some (like me) I’m sure it is. I want the community and the company while I write. But I could do without the music many streamers play in the background, plus the auditory chatting from the streamer can become distracting.

While a chatty streamer works for a lot of writers, it doesn’t work for this author. Thus, why I put that volume scroll way down, almost at mute, after a while. But this got me thinking that maybe what I can give to the Twitch writing community is a silent writing stream.

white mute button

So I introduce to you, my Twitch channel. It’s not all silent. Just the middle hours are. There’s author talk time both before and after the writing session.

I’m super excited to see all the NaNoWriMo writers looking for a live (and streamable) writing community while they work on their books. And if you’re not a part of NaNo, that’s great too. I’m not participating myself this year; instead I’ll be finishing up the last sections of my novel-in-progress. So all writers are invited. I stream early mornings to early afternoons. The goal is to be online by 8am, Central Standard Time most Tuesdays through Fridays.

Let me know if you can make it to the stream and comment below with what you’re working on this November. Write on!

Randal Eldon Greene Twitch Stream

WIP Wednesday #5: Home Stretch

Work in Progress

I think I’m in the home stretch. But I’m not sure. It’s takes me months sometimes to write a chapter. Technically I’ve been working on this book for years. I haven’t always had the luxury of being able to build a daily writing habit. Nor have I always utilized the writing time I have for working on my novel. But even when I am writing daily, I find it takes me a long time to finish a chapter. And I’m only on chapter 11 of a planned 15 chapters. Yet, despite the evidence of the past, I really feel like I’m in the home stretch.

The number one reason I should not feel this way is that I am moving to a new home. That’s right, my wife and I are moving out of our rental and are buying our very first house together. In a month and a few days, I’m going to be a bona fide homeowner. This week we began packing.

Office

The first box for the move is taped up and labeled.

Trying to finish a book while also getting ready to move is probably not wise. But you know what I think is even more foolish? Not writing.

There’s a time to write and a time to rest. Right now, it’s not a time to rest, but a time to use the changes in my life as a catalyst to finishing the first draft of this book. I figure that if a normal person only gets to pack in the evenings after work or on weekends, then I can just pack after I’m done writing for the day.

moving boxes

I won’t be finished with this book by moving day (Oct. 12!). Still, the feeling of crunch time is helping motivate me to get this novel done. I might get burned-out with packing our whole house into boxes, but I don’t think I’ll be getting burned-out on writing the book. There’s too much excitement there for me. Especially since I have a self-imposed deadline of October 31st.

Why Halloween? Only because I want to do NaNoWriMo, so I will ideally be done on or even before the deadline. Hopefully I’m not setting myself up to fail in November (or to fail to even participate) by cutting things so close. Nevertheless, I think it would be nice to just set the novel aside in November and let my creative side jump into something completely different.

And now for something completely different

I won’t go into my evolving thoughts on NaNoWriMo or into the piece I hope to write for it because it’s not yet being written and this is work-in-progress Wednesday. All of that will come later—if at all. I will, however, share a photo of a note from my wife I found on the back of one of my as yet unpublished stories while sorting through papers that needed filing.

Wow. Three Eyes by Randal Eldon Greene

WOW. This is probably the best thing you’ve written. Seriously, honey!! ❤ ❤ ❤

In summary, I think the rest of chapter 11 and the subsequent chapters will be written faster than all the parts of the book that came before. I’m in the home stretch. Let’s just hope that my move doesn’t stretch me beyond my limits, creatively or otherwise.

Micky packing

Reflections on a decade-long journey to getting a flash fiction story published.

A revised and updated version of this post was published in The Ascent. Please read it there (especially if you are a paying member of Medium) because I get paid a little when my piece is read and clapped for. Thank you. 

Raw Art Review Publishes "Expire"

Read Expire for free in Raw Art Review’s Spring 2019 Collection or buy a hard copy on the publisher’s website.

This story took a long time to place. I don’t think it took so long because it was poorly written. In fact, I’ve had some compliments on it over the years. The editor at 34thParallel (one of the first magazines I ever submitted to) had this to say about it:

Dear R.E.
Let me say I’m impressed by your story; dialect in any form is difficult–damn difficult–for a whole lot of reasons of which I’m sure you’re aware. So I’ll repeat, I’m impressed–damn impressed (if you’ll excuse my language).

Only this April, the editor over at Barren Magazine had this to say about the two dialogue flash fiction stories I had submitted for consideration:

Thank you for sending “Expire” and “Attributes of a Girl” for our review. I really loved the experimentation but (especially “Expire“) we literally couldn’t tell what was happening. I know these responses are annoying but hope it helps a little!

Tahoma Literary Review also found the piece hard to understand. While they apparently made their way through the dialect, they ultimately decided that it didn’t work:

[I]n “Expire,” I found myself working really hard to parse the patois/dialect.

In other words, the form/gimmick outstripped the narrative.

I don’t blame any of these publications for rejecting Expire. It is a short piece and it is purposefully difficult. In fact, that’s the whole point. The form/gimmick is another layer of the theme. In fact, the way the story is presented makes the reading experience mirror the central issue of the story.

If you do figure out what is going on then you realize that the story is about how difficult it is to get a point across when trying to tell a story. The piece is constructed in a way to make it difficult to read. While the narrative revolves around a guy who doesn’t understand a specific word in a story being told about the Titanic, the form of the story itself challenges you, the reader, to understand the story on the page. Expire is printed as a block of text, using only dialogue without any dialogue tags, and one of the speakers in the story uses a black American vernacular. It’s not easy to read.

Expire is hard, and it’s meant to be hard. So I’m not surprised that I’ve received both positive feedback and criticism. Yes, I’m a little surprised it took me a whole decade with at least 33 submission attempts to get Expire published, but published it is at long last by Raw Art Review.

One of the differences with Raw Art Review is their commitment to trying to get a work. And that’s why I think they published this story where others didn’t. Bullet ten of their current submissions guidelines says this:

“Editors assume you are smarter than we are. We will strive to understand your intention ; stay open-minded and try to avoid imposing our presumptions on your work.”

Trace Sheridan, the editor with 34thParallel who was “damn impressed” with the use of dialect in the story, asked to see some more pieces alongside it. She ended up publishing the story Bad Weather instead of Expire. I don’t know exactly why she or her team didn’t publish it, although I think they would have had I had more stories like it—dialogical and dialectical—since she asked to see some more pieces while also asking, “Is this part of a larger set/collection of pieces?” And, at the time, no, it wasn’t a part of anything larger than itself.

Expire did eventually inspire me to spend a year writing dialogues. It was a good year. And I came out of that year with a good collection. Truly, I owe a whole book to Expire that I wouldn’t have otherwise written. Expire not only set the tone and implicit theme of the entire collection, but as a story that took a decade to get published, it reminds me that storytelling is a difficult art, even when you accomplish perfectly what you intended to do, like I did with Expire. It is one of my best pieces. And like many great pieces of storytelling, it says something that not everyone can hear and not everyone will like, but it says what it has to say boldly from the first word to the last little piece of punctuation.

Rusting Sunken Ship

 

 

A Terrorist Organization Sent Me a Letter

A Terrorist Organization Sent Me a Letter

That’s right, a terrorist group not only sent me a letter, but using Publishers Clearing House style writing, told me I could win guns and gold in a sweepstakes.

Part of entering involved stickers. There were three of them.

I WANT TO WIN GUNS & GOLD!

I WANT TO WIN GEAR & MORE!

I WANT TO WIN TWO BONUS GUNS!

Read the full essay on Medium to find out more about this insidious group and how I responded to this appalling letter.
assault rifle

BIG – New Publication

BIG - New Publication

My thirteenth dialogue to be released is BIG. Okay, it’s actually a rather short story, but it’s subject is big and is fittingly appearing in the Gypsum Sound Tales anthology COLP: Big. All the stories in this collection are themed big: Big is home to a collection of stories that feature large, enormous or gigantic characters and concepts and, in this situation, it is most definitely a case of bigger is better.

My story is called The WaveIf you’re so inclined to read some short stories about big things, you can purchase a paper copy or you’re free to grab a Kindle copy on Amazon.

COLP: Big

 

WIP Wednesday #4: Am I a Novelist?

Work in Progress

When I began writing Descriptions of Heaven, though I did intend to one day become a novelist, I never intended this narrative to be of book-length. The thing grew from a single scene into a story composed of chapters. It, in fact, unintentionally took the place of a book I was writing about a son dealing with the decline of his mother’s health due to Alzheimer’s disease.

Descriptions of Heaven 3D image black background.

Even with this book published, I had never been quite certain that I legitimately was a novelist, since my first book is what many call a novella. However, I have come across writing just as short as my novella where the publisher calls it a novel in the blurb and foreword. So I was either a novelist who wrote a little novel (novella) or a short story author who wrote a long short story.  Either way, my book was published as a standalone piece, just like any novel—big or small. Yet, I still kept asking myself, Am I a novelist?

Novelist contemplating©2004-2019 wredwrat

When asked what I do all day, my default answer is no longer “I’m a writer” or the only sightly less vague “I write books.”  Instead, I’m more apt so say “I’m a novelist” (though saying I’m a short story author is equally true, short fiction work isn’t a part of my quotidian practices).

There are two primary reason I’ve embraced the term novelist:
1) Recently, a friend on my Literary Fiction Writers Facebook group, during a discussion about the demarcations between a short story and a novel, pointed out that the real difference isn’t word count, but structure and flow. Novels and short stories are extremely different in that respect. While I’m not willing to discount word count as playing a central role in their difference, I’m apt to agree that rather small word counts can still be structured as novels. Descriptions of Heaven has under 35 thousand words, but it is structured as a novel and does not flow like a short story.
2) I have to admit that in this past six months I’ve become much more focused on my novel-in-progress, spending less time on my short fiction, which I often used to write, edit, and submit in lieu of working on my novel. Not only did my computer go kaput, as I explained in a previous WIP Wednesday post, making this kind of productive “distraction” less available, but I’ve also been spending every free day I have novel-writing for as long as I feasibly can. While it’s often not as much as I want, I can honestly say I am spending large chunks of my weekdays writing a novel.

©2016-2019 TheGraphicNovelist
©2016-2019 TheGraphicNovelist

So, there you have it. I have already written one little novel, and most Tuesdays through Fridays I spend my hours after breakfast until lunch writing my next novel. I am a novelist, both a published and actively working novelist.

Real talk time: I think a lot of novelists suffering from impostor syndrome or whatever, suffer a lot not because their book is too small, but because they don’t write as much as they can. No one should spend all their time writing, and in your life there are likely other things that take precedence over creative work. But a lot of us have the time—have in fact painfully carved out some small hours to focus on creativity—and yet we feel like impostors because we haven’t developed a good writing habit, thus we don’t use the time as we should. Consequently, we don’t feel like writers, let alone novelists.

The truth is, I haven’t developed a consistent habit of getting back to the desk after lunch. I can’t even blame it on a honey-do list, since I don’t let chores distract me anymore. My problem is that writing’s been going so well that I often finish my intended writing goal for the day or complete a long scene before the hours I’ve carved out for myself are used up. So I often stop writing because my brain feels like it needs a reset or some time to think about what’s next (yeah, I’m not a huge plotter).

On the one hand, I don’t mind these breaks because I’ve felt productive and hit my goals. On the other hand, I want to make a living as a writer—as a novelist—and in order to do that, I’ll probably want to be putting out a book every other year. Stopping for scene changes isn’t going to cut it.

Maori Sakai writer's life

© Maori Sakai

Here’s four things I’m doing to try and keep it going:
1) During lunch, I don’t turn on the radio or watch any TV. This lets my mind linger on my work, keeping me in my novelist zone or at least letting me transition back there faster.
2) I just get right back to the desk after my break and write. It’s been years since I’ve had to be in a mood or needed the Muse to write. So why I think I need to be calibrate my brain for the next section of my novel, I don’t know.
3) If I don’t have so much as a bullet point on a sticky note or general idea of what comes next, I’ll let myself go on a walk and think about it. I write when I get back. This isn’t something I want to become a habit since I won’t be going on walks come our long Midwestern winters, so I’ll only go out for a walk after serious creative thought. If nothing comes, I’ll let myself head out into the neighborhood for an hour or so.
4) I’m building a habit by writing every day I can, starting as early as I can and staying at it until 3:00pm if possible. Yet there’s this thing called real life that gets in the way sometimes of that good habit, so I’ve been trying to write daily regardless of the time. If needed, I’ve started at 11:00am, which is really late for me. I’ve even resorted to writing in the evening if I didn’t get a chance to during the day. While it cuts into family and reading time writing so late, it also shows my commitment to making a living from my books, continues to build my writing habit, and literally gets me a few pages closer to my goal.

This book is getting done. And, while I am a novelist, it’s forming the habit of novel-writing that’s going to let me someday be a career novelist (and occasional author of short story collections).

author novelist short story writer

© Elias Stein

 

Do you consider yourself a novelist whether you’ve written a novel or not? Or a poet, even if you haven’t made a collection of poetry? What are your writing habits like? Are your habits working or can you improve upon them? Let me know in the comments below.

How To Piss On Your Therapist

How to Piss On Your Therapist

 

Public House Magazine has republished a story of mine, this time it’s available to read online for free. The original story appeared as Pissing Therapy in their print magazine, themed and designed as a tabloid. The reprint is now titled How To Piss On Your Therapist, cataloged online under their “How To” section.

Click here to read the story.

Art by Agni Dasein, Austria. Via Saatchiart

Art by Agni Dasein, Austria. Via Saatchiart

 

The Final Voyage

The Final Voyage - Randal Eldon Greene

I’m very excited to announce that my first ever hard science fiction story is appearing in Strange Mysteries 8 (Whortleberry Press). I’ve written some pseudo-sci-fi pieces before. But those works are satire, utilizing sci-fi worlds to poke fun at our modern times. There’s War and @ChefNipsNips are the two I’m specifically referring to. So I don’t consider them serious science fiction. Keep an eye out for an upcoming interview with Midnight Mosaic that I hope better explains my relationship to genre writing.

Ship on the ocean

The Final Voyage is a story about the last two humans on Earth who grew up on opposite sides of a divided island. Melody, the artist, has plans to take their last floating boat and sail away on a solo voyage as a kind of final performance art. Fausto, the practical one, wants her to stay and, through their union, give humanity a second chance. They are not a good match. So you watch and you wonder, Will they flounder or will they float? 

If you’re a fan of fantastical writing, then you should check out Strange Mysteries 8. As the blurb states: This collection of stories includes the science-fictional, the fantastic, the serious and the not-so-serious. All these writers are strangely mysterious, so fasten your seat belt and enjoy the ride!

Click here to purchase the anthology.

Strange Mysteries 8 - Whortleberry Press

A Rant Against Myself

A Rant Against Myself

 

Filtered through the abstrusities of Ezra Pound, digested then regurgitated as “ranty blog-fodder,” A Rant Against Myself is creative nonfiction with the emphasis on creative—not memoir, not journalism, and allegedly not essay. It’s 100% pure R A N T.

And you can now find it published in CultureCult Magazine for your reading pleasure (or pain).

Download a Kindle version of the magazine here: CultureCult Magazine [Spring 2019]

Or grab a print copy of the magazine from Lulu here: CultureCult Magazine (Issue #11)

CultureCult Magazine #11

CultureCult Magazine (detail)

Defenestration (weird humor)

Defenestration (weird humor)

Another one of my dialogues is out this month. @ChefNipsNips has appeared in the humor magazine Defenestration. It’s free to read online. This piece is a throwback to my earlier days of bizarro fiction + some saucy satire of YouTube baking shows. Check it out if you want a laugh while you learn how to make murumples!

@ChefNipsNips